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March 31, 2008

Slugworth – “Self Titled”

SlugworthSlugworth – “Self Titled” - So you like sonic speed crunching guitars & New York Hardcore style vocal huh, well this release is full of them. It's hard to find new hardcore punk bands that don't do that post hardcore bullshit, these guys keep it middle school (Not old school or New School) and fucking rule at it. It’s a perfect album to put on when you’re in the mood to smash some shit up & break things, but as an every day record it’s not something I would be hard pressed as a must have. It’s not going to get tons of critical acclaim from anybody because it’s a NYHC style band that isn’t a household name, but my recommendation is to check Slugworth out and decide for yourself. If nothing else, you can punch a hole in a wall after the mood it puts you in. I did thoroughly enjoy the hidden cover of “I Don’t Wanna Hear it” (Minor Threat) that is hidden in the last 1:12 of the last song “The Last Time I Trusted”. So to sum it up, I liked this release, but also feel it’s one of those albums you need to be in the right mood to listen to it. 3/5

www.myspace.com/slugcore

www.punkbuttonsdigital.net
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Dead Luck Devilles – “Self Titled”

Dead Luck DevillesDead Luck Devilles – “Self Titled” - On some tracks they hit the nail on the head (“Ms. Misery”), while in other they've slipped and hit their finger (“Down In Flames”), but overall, the fury of this melodic Rock-n-roll influenced EP is appealing to fans of Rockabilly/punk influenced rock-n-roll and it's safe to say that this release will be a pleasurable experience for you. Whether you're a fan of punk-infused rockabilly jams or not, I’d be quite surprised if each listener doesn't find a little something to satisfy their tastes. The music is exciting and energetic, to say the least, and the band does a fantastic job of bringing their influences forward to create their own unique blast of satisfaction. In a state of music where there's a Screamo band at every venue, and an Alternative band at every corner, Kingston, New York’s Dead Luck Devilles put all their power and ability forward to keep up with booming Rockabilly scene . Pick up this disc if you have a chance, and I guarantee you that if you like Rockabilly/punk influenced rock-n-roll, you will really enjoy this. 3.5/5

www.myspace.com/deadluckdevilles

www.punkbuttonsdigital.net

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A Human and His STD’s – The Love Machine

A Huiman and His STD'sA Human and His STD’s – The Love Machine – What the fuck is going on? Seriously my stomach hurts from laughing so hard. The vocals sound like what I believe an Elf or Hobbit singer would sound like. The vocals make me think of Robin Hood Men In Tights for some reason. Almost like the singer is 3 feet tall with goaty, wearing medieval Robin Hood green tights and dancing around with 7 foot Ogres as the other band members. I can’t stop imagining this is the soundtrack to a punk musical version of  Robin Hood or The Hobbit. Some of the lyrics don’t help either. They’re written with that blue collar drinking mentality that can be fun if done right, but in this case just makes for a funnier vision in me head. The song “Live Fast Die Drunk”‘s title alone solidifies what the lyrical style is through out the coarse of the entire album.  The musical portion of the band is tight, it’s filled with hooky, pulsating base lines and clean drums beats, but the vocals are too much humor to overlook. There is no way in the Sherwood Forest that I can take this Hobbits vocals seriously. If they changed the singer this band would be incredible, until then I’m sure they would have a big following in the Renaissance Fair circuit. 2/5

www.myspace.com/ahumanandhisstds
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Activist Signals – “Feel Free To Revise EP”

Activist SignalsActivist Signals – “Feel Free To Revise EP” - The production isn’t perfect, the vocals get drowned out by the instrumentals at times and vice versa. In a sea of imitators and clone bands, Activist Signals actually has an original sound both in their song writing and the production of the album. They’re on an interesting label called WeNevaStop who is dedicated to the idea that music should be free and all the releases on the label are free for download (www.wenevastop.com ) .

“Feel Free To Revise” doesn’t have a lot of filler on this CD, but I can also see their dedication to instrumental versus growing old rather quickly.  Activist Signals doesn’t seem to get to the point quickly, but they eventually get there say what they want to say. The songs themselves tend to run a little long I think because of the love affair with their instruments and for some reason the intro song is an instrumental track. I can’t understand why they would put that as the intro track, but what the fuck it’s their record. Activist Signals seems to be more comfortable at writing the mid tempo melodic instrumentals more than the lyrics to the songs. I can’t knock “Feel Free To Revise” too much, it’s a great no BS, no gimmicks melodic punk CD. With a little more exposure and experience to song writing, Activist Signals has the musical talent to make a great record in the future. 3/5

www.myspace.com/activistsignals
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Down and Away – “Reclaim The Radio”

Down and AwayDown and Away – “Reclaim The Radio” This 20 song release represents a band on the brink of punk Stardom. Like other punk revival bands such as Down By Law & Face To Face the tracks are energetic and bursting with cynicism about being tired of dealing with people and their idealistic flaws as sung about in “Right Here”, “Reclaim The Radio, & Black & White” to name a few.  The singer of Down and Away, “Marcus” demonstrated a powerful, well-defined voice, along with a strong commitment to his material. Providing an excellent support group for their vocal leaders trademark creations, the rhythm section stays in control and provides incredibly addictive gang vocals. The bands enthusiasm gets the best of them during some of the slower portions of a couple songs that make it a little uneven at time, but I consider such overly caffeinated quirks to be endearing and to add personality to these fine cuts of grade A prime rib punk rock. Down and Away possesses the instincts and ability to steal the show and if they can continue to produce great releases like “Reclaim the Radio” they will easily become a well known band in every punk circle near and far. 5/5

www.myspace.com/downandawayband

www.downandaway.com

www.warbirdentertainment.com

www.myspace.com/warbirdentertainment

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The Visitors – “Lost On The Globe”

The VisitorsThe Visitors – “Lost On The Globe” – The themed concept of this band is to have each song be created around a geographical location, hence the name “The Visitors”. Usually I take a look at conceptional themed music and run the other way. However, when you have the talented song writing of Skottie Lobotomy from such great bands as The Creeps (another themed band) & The Riptides, then it’s worth a listen. Well after I listened to this theme concept album, I’m glad I didn’t hop in my hotrod and hightail it out of Dodge. The entire 11 songs of “Lost On The Globe” have a revved up Ramones inspired pop punk feel that mixes whoa ohs, yeah yeah’s & harmonizing back vocals. The title song “Lost On The Globe” is a prime example of mixing all of the aforementioned effects with perfection and makes getting lost a pleasant experience. Another highlight of this album is the introduction to the vocals of female vocalist & Bassist “ANTARCTIC-CAT da GAMA, M.Sc.” taking the lead on “Spain“&  “Sydney Snakes” while putting “SKOTTIE MAGELLAN’S” vocals in the backseat for that leg of the exploration . The combination of ANTARCTIC-CAT da GAMA, M.Sc’S raw vocals and Skottie’s scratchy back vocals make for an incredible interlude of punk energy and harmony.  This Ontario Canada based band travels the globe through your brain and when the journey ends you’re already planning you next trip with The Visitors. My favorite traveling destinations of this round trip are “Crusin’”, “Lost On The Globe” & Spain”, but when the destinations are as good as this, there isn’t a bad stop on this trip. 5/5

 www.myspace.com/thevisitorsarecool

 

 

P.S. As a side note The Visitors would like you to know;

Contrary to popular belief, the Visitors do NOT care for pirates, nor are we associated with them in anyway.

While we respect their love for the sea and think their eye-patches and peg-legs are timeless accessories, quite frankly, we find their tendency to "plunder first and ask questions later" attitude to be quite childish.

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The Ray Gradys – “Rednecks, Zombies, Terrorists”

Ray GradysThe Ray Gradys – “Rednecks, Zombies, Terrorists” – When I first popped this in the musicianship of the band really stood out as clean and precise. The rest of the album continues on in similar fashion, with emotional choruses and punchy beats. The drumming and bass is extremely tight throughout this album. Overall, the talent and production is stunning for a self-released album.  This album combines several musical styles together. The Ray Gradys mix old school punk energy with pop sensibility & a touch of rock-n-roll. The end result is a moderately entertaining sound that in the end sadly doesn’t stand out as something that I personally would rush out and purchase. Nonetheless, The Ray Gradys are extremely talented, no doubt & if they were in my town they are entertaining enough that I would check them out live in a second. Throughout the album there is plenty of varied instrumentation, the bass lines are intricate and technical, and the choruses are full of great hooks. Singer Earl-y Grate has a raw, frantic tone to his voice that’s less than perfect and is hit or miss depending on the song being sung. That’s not necessarily a bad thing – It’s worked for many before and will work for many after we are all gone.  My suggestion would be to check them out on Myspace and if they’re your thing, pick this shit up.

www.myspace.com/theraygradys

www.raygradys.com

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The Chemical X DVD Zine

Chemical X DVD ZineThe Chemical X DVD Zine – I’ve been a fan of video zines since the 411 skate video zine, so when I received this DVD I was really excited to see how it would work out in a music format. The DVD starts out with a video montage of a graffiti artist creating a new picture with Four Deadly Questions playing the background and is followed by a great 80’s inspired video for “Razorblade” by the band Randy. The video is goofy and fun and sets the table for the rest of the DVD. Overall the DVD is filled with some live performances, some coordinated music videos & a few commercials by the zine’s sponsors. I think the creators of this DVD zine (Geykido Comet Records) did a great job of incorporating a large variety of punk music from the sub-genres of punk. The DVD allowed me to listen/view some bands I hadn’t heard and immediately after the DVD ended I ran out to my computer and looked up to listen to more from them (“Randy”, “Bobat Adrenaline” & ESL?!”). Really the only thing that I would like to see added to the DVD Zine would be a few interviews. I can see a lot of labels getting on board with this forward thinking way of introducing potential listeners to new bands. Honestly the more I think about it the more I can’t wait for the next issue to come out. 4.5/5

www.myspace.com/chemicalxdvd

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The Jerks – “I’m Happy”

The JerksThe Jerks – “I’m Happy”- With a name like The Jerks you get an idea of what the band is all about before you even hear the first track. The irreverence immaturity and disregard for political correctness punches you right in the lip and does not stop for 14 quick hitting songs. Does this sound like a basic recipe for old fashion punk rock the way Metal Mike & The Angry Samoans used to cook up? You better bet your mom’s strap on it is!  The Jerks main ingredient for this smorgasbord of insulting ass pies is credulous fun at the expense of anyone who happens upon it. This debut release is fueled with unreleased semen, failed anger management lonely nights all spewed cleverly introduced lyrics skewering lack of relationships, lack of sex and killing music. The Jerks provide listeners with knock your block off piss & vinegar power of loosely wound guitar, bass and drums that interact like a quick game of peek-a-boo that your perverted uncle used to play. The lead singer of The Jerks (Chris) applies a bored & bratty wit to his delivery of the lyrics in an ironically dry and undiminished way. The songs subject matter dives head first into the land of teenage hormones overloaded with goofy titles like “Gimme Gimme Sex”, “I Hate You”, “Fuck You (We’re The Jerks)” & “Stab My Brain” to name a few. 4/5

www.myspace.com/realjerks

www.myspace.com/doodoobuttrecords

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Die Outsiders – “Empty Hearts & Loaded Guns”

Die OutsidersDie Outsiders – “Empty Hearts & Loaded Guns” - This album is a willful violation of many of the rules which are already ironically straight jacketing the punk scene. Completely devoid of political confrontations or social uplift, Die Outsiders seem to embrace the hand that they’ve been dealt that might have made many people eat bullets and generally come across like a horror-movie nightmare. The Die Outsiders want to entertain and do their own thing and that is exactly what they do brilliantly. Nearly every song on this EP delivers a light speed distorted rock-n-roll eruption. Their singer has a gift for shadowy, strong and distorted singing, making these love starved lyrics all the more enjoyable. All the songs contain flippantly ridiculous references in which the chanting voices of the band grumble about their constant diet of misadventure and ask for catastrophe instead. Each song starts on the edge and turns into an explosion of rhythm and distortion that is bound to kill anything within 50 feet of your speakers. The standout songs on this EP are “Dead City” & “Attitude” (Misfits Cover).  4/5

www.myspace.com/theoutsiderscz

www.DieOutsiders.com

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The Blameshifters – "Disenfranchised Anarchists"

BlameshiftersThe Blameshifters – "Disenfranchised Anarchists" blast off with hard edged NOFX influenced SoCal-core punk rock in the vein of many bratty mile a minute punk bands. The Blameshifters possess many of the super charged characteristics of NOFX right down to the vocal harmonies that we’ve come to quickly recognize. There is a ton of tongue in cheek, politically incorrect forays into America’s upper middle class society. The band merges pop hooks & crunchy melodies with middle finger attitude just enough to attract rebellious teens just enough to appreciate the darker damage of say, Black Flags raw power. Like a CNN for disaffected suburban punks, this album rails against punk posers and politicians while defending underdog issues such personal idealism. Disenfranchised Anarchists is the type of album that will steer impressionable punk youths into the punk underground while unknowingly educating them about the dark underbelly of society. This album make up so closely resembles NOFX I first thought someone was trying to pass off NOFX as themselves. There are some subtle differences and when I played them back to back I heard the difference. The writing, the riffs, the hooks, the bass lines, the drum beats and even the singer’s speech patterns match NOFX. If you’re a fan of the NOFX of the early years there is no doubt you will find this CD entertaining. 4.5/5

www.theblameshifters.com

www.myspace.com/theblameshifters

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Blake Incarcerated – "Demo"

BombshellsBlake Incarcerated – "Demo" - Blake Incarcerated takes quite a few melodic back roads during its trip down the punk/hardcore highway. After a relatively poppy opening barrage with “My Finest Cliché”, the band launches into the enormous power chords of “Blanks & Bombshells“ & it becomes the first of four songs to hammer almost incessantly on one churning guitar note as the rhythm section stops, starts, rolls with fury underneath “Oh Corona“ often obtuse lyrical couplets. The Formula doesn’t grow old, especially when it’s paced with more tuneful moments. These cuts make an ambitious debut that left me thirsty for another long needed drink of this punk and hardcore cocktail of fireball tunes. Blake Incarcerated has some similarities to the style of “None More Black” with their energetic pace and melodic hardcore sound, but do so with a bit more of pop punk touch to their style. It’s hard for me to pinpoint a favorite song on this demo because they are all so damn good. If I HAD to choose one, I guess it would be “Blanks & Bombshells”, but you can’t go wrong with any of the songs. 5/5

www.myspace.com/blakeincarcerated
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March 10, 2008

V/A – No Place To Call Home – (Bad Dream Records)

V/A – No Place To Call Home – (Bad Dream Records) – This is an international punk compilation of 32 different bands from 10 different countries that introduces you to new record label out of the Czech Republic, “Bad Dream Records”. The CD consists of mainly lesser known, up and coming bands with a mix of style and punk sub genres from ’77 to Crust and everything in between. Some of the highlight songs for me are,

  • Plastic Dolls - “No Place To Call Home “ (Sound similar to, The Briefs)
  • Spears – “Dirtnap”, (Sound similar to, The Pink Lincolns)
  • Autistic Youth – “Smash & Kill”, (Sound similar to, Reagan Youth)
  • Kill Time – “Sick of You” (Sound like a combo of The Queers & Screeching Weasel),
  • Clean Cuts – “Fight, Fuck and Rock –n-Roll (Sound similar to, The Sex Pistols)
  • Die Outsiders – “Dead City”, (Sound a little like a combination of The Misfits & The Buzzcocks)
  • Bad Antics – “Responsibilies” (Sound similar to, Token Entry ((NYHC))

I’m a big fan of compilations, I think that you can find out about tons of amazing bands you might not of ever heard at a good price ( I know I am going to be checking out more from the bands I listed above). There isn’t one band on this compilation that is bad or even annoying. Even though I didn’t list all of the bands, they are all worth checking out. It seems to me that the people at Bad Dream Records have been part of the punk scene for a while and know what’s up. This Compilation is a great introduction to a new label and if their future releases can provide the excellent sound quality, band talent and variety, then Bad Dream Records will be great record company for a long time to come.

www.myspace.om/baddreamrec

www.myspace.com/theplasticstars

www.myspace.com/thespearsrule

www.myspace.com/autisticyouth

www.myspace.com/killtimepunkrock

www.myspace.com/thecleancuts

www.myspace.com/theoutsiderscz

www.myspace.com/badantics

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Blunt – “Proud & Punk”

Blunt – “Proud & Punk” It's reheated '77 punk with gang choruses, no more than three chords and English street punk vocals. “Proud & Punk perfectly articulates the frustration, rage and dissatisfaction of the British working class with the British establishment during the late 70’s as if they were there. It’s easy to see how the band’s roaring energy, anchored with relentless full on rhythm guitar, no-nonsense drumming, and a singer that takes on the feel of the real fore-fathers of the British punk movement. I know it doesn't sound especially innovative anymore, at this stage of the fashion show, but it's not innovation, rather skillful assimilation and construction that counts with a band like Blunt. What more can you ask for from an EP that has song titles like, “Seventy Seven”, “We are Blunt” , “Fuck The Government” & “Your Fucked Again”?

http://www.myspace.com/bluntpunkrock
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Auto Jill – “demo”

Auto Jill – “demo” – Sometimes I wonder if bands read some of the review on here before they ask me to review them. Seriously there is no way anyone from Auto Jill did, because I’m sure they would have passed on submitting this demo. You know they wouldn't be so bad if they played a little harder like they had balls instead of playing like a bunch of friggin’ hippies. I don’t know maybe this is an album for boring people. I guess I'm lucky that it was only four songs, because if it was any longer I think I would have taken up hacky sacking. I doubt it's possible to create music which is more generic and unremarkable than this demo by Auto Jill. There are drums, guitars, bass and a singer who produce a form of music that is boring and lacks any substance just like this review.

www.myspace.com/autojill

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Rejected Scums – “Punk’s Attack Vol !.”

Rejected Scums – “Punk’s Attack Vol !.” The Rejected Scums hone their feverish, rapid assault on “Punk’s attack Vol. 1”with chainsaw crafted songwriting, irresistible hooks and impassioned lyrics. These punk bashers know the benefits of conciseness with short quick hitting songs that get your blood pumping and your feet moving. They lend force and immediacy to their political rants ( “Air Raid”), portraits of inner city strife (as sung in “Down Here”), & a dedication to influential music (“CRASS is dead”) . However, it’s the surging energy of the music that distinguishes this album. Loose and raw, the songs feature crashing drums, furious guitar licks, hungry bass lines and impassionate vocals, which are simultaneously spoken, sung & spit at the listener. Rejected Scums give this album the old school street punk treatment, meaning there are mosh ready breakdowns and an overall heaviness not present in a lot of the punk music today. Though their musical prowess alone is noteworthy the song “Down Here” is without a doubt my favorite cut on this release.

www.myspace.com/rejectedscums
www.purevolume.com/rejectedscums
http://punk-oi-oi.narod.ru/rejected_scums.html
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Two Bit Terribles – "Bigger, Badder and More Terrible"

Two Bit Terribles – "Bigger, Badder and More Terrible" – While there is some exploration of  unfettered noises, the songs aren’t really that varied in their overall style and just aren’t that catchy. The songs aren’t bad, they employ a few endearing hooks, but the monotone lyrical style of their singer just makes the songs too similar and repetitive. When I heard “Get Angry”, “Time is running away” and “The smile on my face” I just felt like I was hearing one long song. The one song that stood out from the rest to me was “Girls Don’t Have To Sing Pretty“, it is a deep manifesto of emotions waiting to be discovered. The vocals express so much more grit and emotion then the other cuts that you wish all of them had as much angst and personality as it does.  The songs of this EP see the band occasionally adding some nice bass lines, solid drum beats and one exciting powerful song. Overall however you need more than one good song and a few good hooks to create a better than average recipe of punk rock chaos.

www.myspace.com/thetwobitterribles

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Buttnaked Butthole – “Self Titled”

Buttnaked Butthole – “Self Titled” – My first impression of this CD was instantly that this band must be similar to the infamous 80’s punk band The Meatmen (The cover art drawing and song titles alone). To most people this might instantly give you a negative feeling, but me being a fan of their immature perverse style I was intrigued. I wasn’t too far off with my initial thoughts, however this self titled cd has the same confrontational spirit of, The Meatmen, but with about ten times less of the song writing ability (and though I loved The Meatmen they were really bad). In large part it has to do with the terrible voice of their singer, mixed with his nonsensical singing style & the overly simplistic background of repetitive riffs and beats . The vocals come out in an almost rap style (imagine Eminem trying to recite lyrics to a punk back beat) on some of the songs which is just annoying and some of the other songs just sound stupid like their trying too hard to be outrageous (“I heard you’re gay”, “When the dog is dead” & “Man dick gloryhole”. Give them credit for not worrying about being politically correct and no holding back their intentional insulting lyrics and knowing the ridiculousness of what is going on. I just think the execution of their music is just not good.  Yes, the whole thing is perverse & stupidly funny for a short period of time, but grows old really fast, but I can see where Buttnaked Butthole could be a hilarious live band , if the act just isn’t an overkill.  The self titled CD would be ok to listen to maybe once every five to ten years, just to remember how bad it really is.

www.myspace.com/buttnakedbutthole

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The Nobbs – “Self Titled EP”

The Nobbs – “Self Titled EP” –. Musically this EP is filled with fragmented guitar riffs, ominous bass lines and discordant drum parts. I’m not sure if it was because of the poor production quality or just that the lyrics are somewhat cerebral and inward with sinking vocals that really just don’t sound exactly right.  There’s something about the music that is just a little hollow and leaves you wishing that there was a little more bite and/or emotional urgency to the music to compensates for their lack of catchy hooks and originality. Overall the album is more of a mellower garage rock almost impressionistic tribute to a combination of the Buzzcocks, Iggy & The Stooges & Johnny Thunders, resulting in music which not only salutes the power of the rock –n- roll of yester-year, but reaffirms that the early influences of punk rock and still living strong in today’s youth.

www.myspace.com/thenobbsband

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Black America – “Stomp ‘em Whitties”

Black America – “Stomp ‘em Whitties” Yee Ha Bubba Ray! Let’s get in that there truck and rustle up some vittles. The first song I heard was “Fast Ballin’” and then “Youth in Asia” and I’m thinking “What the fuck? This bullshit sounds like inbred hillbilly punk.” Seriously it sounds like they use a banjo instead of a guitar at times during those songs, mixed in with a country drumbeat & a harmonica. The next song I hear is Ecstasy Slam Dance and based upon the intro mocking white suburban kids acting like gangsta’s,. I was just about to turn the shit off, but I stuck it out and the rest of the song was a high octane circle pit style punk song that is hysterically brilliant. Alright it’s starting to get interesting, so the next song “Black America” is a classic mid 80’s skate punk style song that got my juices flowing and had me ready to start a revolution in my living room. Finally, my listening adventure left me with a pissed off punk rock song that many punks can easily relate to “Artsy Bitch”. My thoughts on this release were a roller coaster of emotions, but when it came to a screeching halt, I jumped back in line for another ride. I have to give Black America credit, in a world of imitators they’re making and embracing their own punk rock sound. Yee Ha Motherfuckers!

www.myspace.com/blackamericablack 
blackamerica.fuzz.com/
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No Where To Go – “Self Titled”

No Where To Go – “Self Titled” – I actually feel bad writing this review and that doesn’t happen often. I think these guys have the right idea, just poor execution.  It sounds like a few teenagers (they may or may not be teenagers, humor me) with different musical influences have gotten together, wrote a few simple (generic) punk songs and recorded themselves. In theory that’s a great idea, but when it comes to this self titled DIY release by No Where To Go, it’s just really bad. The problem is that they don’t seem to have any chemistry at all.  The singer doesn’t have much rhythm and his voice fluctuates from generic off tune to just tone-deaf bad in each song.  He staggers the lyrics into the rhythms the others are laying down with little direction.  It seems like each member of the band is trying to do their own thing and overall they need to work on having a more organized sound. The only song that sounded the least bit interesting was “Weapon of Mass Distraction” and that was because of the gang vocals through out the song combined with pretty well with the chaotic musical accompaniment. They should consider changing singers, practice some more, and find a musical identity.

www.purevolume.com/nowheretogo
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The Flowers “Pot your brain in its fuckin’ place”

The Flowers “Pot your brain in its fuckin’ place” Not quite as brainy as Screeching Weasel, but nowhere near as sophomoric (immature) as say The Vandals, The Flowers straddle the pop punk fence with a mix of revved up rock and good natured three chord goodness. “Pot your brain in its fuckin’ place!” offers listeners a satisfying taste of this Italian pop punk band, serving up five fast-paced, yet poppy cuts that feature clashing guitars and driving rhythms behind, better than ordinary Italian laced vocals. The Flowers songwriting is a notch or two above the average pop punk band, songs like “You can’t understand me” and “She’s The One” sneaking  poetic imagery past the bands audience, proving the intelligence and sensitivity isn’t just for Hippies and suicidal Emo kids. A lot like other European pop punk bands, the thick accent of their mother language limits their vocal range when singing in English, but that also adds something special to their sound. God-damn I wish I could sing as good in my first, as they do in a second language.

www.myspace.com/theflowerspunk
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The DeVilles – “Switchblades & Heartaches”

The DeVilles – “Switchblades & Heartaches” – Can I just tell you that this is probably one of the best hip shaking, baby making, rock-n-roll bands I’ve ever heard. Until recently I haven’t been able to get into this rockabilly-ish, barroom rock-n-roll kind of music, because the bands are usually so over the top and theatrical, but holy shit this is a great record. The Devilles are a rock rooted, punk influences band that splits the difference between a rockabilly and Ramones-style punk, not unlike Social Distortion did back in 1990. With songs like (Johnny Sings The Blues) & (Between These Streets)  The De’Villes write songs with a lot more personal feeling and deep felt emotion, better than most bands with similarly styled bands. The guitar parts sound lean, sharp and powerful, while the vocals are deep & powerful in their own rite, with a touch of grit for prosperity. The drumming has a tight snap that suits both the thrashier songs as well as some of the slower, blues-ier tunes.  “Switchblades & Heartaches” isn’t a good album it is a masterpiece of deep rooted Punk-n-Roll, with very few that match in comparison.

www.myspace.com/devillesband

www.thedevillesrnr.com

www.myspace.com/motherboxrecords

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The Sheckies – “Go On A Diet EP”

The Sheckies – “Go On A Diet EP” Snotty, upbeat, three chord Ramones influenced punk rock served with a side of boardwalk fries. The Sheckies have the traditional pop punk style in which they are counting off their three-chord sonic explosions with a “One. Two, Three, Four!” launching into Ramones like anthems such as “Lose My Head“ & “Paranoid Together“  with clean licks and steady beats. If you can listen to this EP without bopping around to it or at least tapping along, then you’re just a stupid face. There is not one bad song on this Cabana 1 instant classic. The only thing that sucks about this tasty sweet & sour release is that it’s only 7 songs (13:30sec) long. Seriously, The Sheckies are too fun of a band to tease you with a quicky that leaves you longing for another taste of their sweet musical nectar. ….Mother Fucking music teases! So if you haven’t noticed I really think this EP is swell. If you don’t run out to your local music store (support local music stores motherfuckers) or order it online (only if you don’t have a local music store that supports punk rock) May your father forever finger anchovies.

(Sadly, as I was prepping the reviews for today’s release, I have read that The Sheckies are on what seems to be a permanent hiatus (See their myspace’s latest blog entry). So to say this EP is a tease is now an understatement and we may never get the pleasure of hearing their goofy fun sound on a full length release. We can only hope that this is a temporary hiatus and all will be well with them again….Please come back Sheckies,…please come back you fuckin knuckleheads.)

http://www.myspace.com/thesheckies

www.cabana1records.com

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